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The Green Inferno, directed by Eli Roth, is a 2013 American cannibal horror film that pays homage to the notorious Italian cannibal films of the 1980s. The movie follows a group of student activists who travel to the Amazon rainforest to document the deforestation of the area, only to find themselves hunted by a tribe of indigenous cannibals.
If you're planning to watch The Green Inferno, be prepared for: The Green Inferno -2013-
Filmed in a single, shaky long take, the crash sequence is genuinely disorienting. Roth uses sound design—screaming engines, snapping bones, the roar of the jungle—to create immediate chaos.
The primary engine of Roth’s satire is the utter incompetence and hypocrisy of the activist group. They are not heroes but caricatures of slacktivism: a weed-smoking documentary filmmaker, a histrionic leader who speaks in slogans, and a tragically naive protagonist who joins the cause largely to impress a boy. Their protest is a performative spectacle—chaining themselves to trees, livestreaming for likes—and they are utterly unprepared for consequences beyond a night in a cushy Peruvian jail. This public link is valid for 7 days
Upon its release, The Green Inferno faced significant hurdles, including a two-year delay due to financial issues with its distributor. When it finally hit theaters, it received a mixed reception. Traditional critics often found the violence excessive and the tone inconsistent, while horror aficionados praised Roth’s commitment to the "hard R" aesthetic and his refusal to blink during the film's most intense moments. Even Stephen King weighed in, tweeting that the film was a "glorious throwback" to the drive-in movies of his youth.
The Green Inferno remains a significant entry in 21st-century horror. It marked the end of an era for the "splatter" boom of the 2000s and stood as a rare, big-budget attempt to revive a subgenre that had largely been relegated to the underground market. For fans of extreme cinema, it serves as a technically impressive, pitch-black comedy about the dangers of unearned virtue in a harsh, indifferent world. Can’t copy the link right now
However, their plane crashes deep in the jungle. The surviving students, including Justine, wake up inside a cage. They quickly discover that the very tribe they sought to save is not a gentle, noble collective. They are starving. They are ruthless. And they have a longstanding tradition of ritualistic cannibalism.
A local tribe finds the students. This tribe does not like outsiders. They take the students to their village.
Upon release, the film split critics down the middle. Supporters praised Roth’s unapologetic commitment to old-school grindhouse gore and his dark sense of humor. Renowned horror author Stephen King famously praised the film, calling it "a glorious throwback to the drive-in movies of my youth: bloody, gripping, hard to watch, but you can't look away."
That passion project finally materialized in . Released initially at the Toronto International Film Festival in September 2013 (before a delayed theatrical run in 2015 due to distribution issues), the film is Roth’s love letter—and modern update—to the infamous Italian "cannibal boom" subgenre, most notably Ruggero Deodato’s Cannibal Holocaust (1980).