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 ÍÎÂÎÑÒÈ ÑÂÐÒ
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11.03.2026
 Ãîñóäàðñòâåííîé ïóáëè÷íîé èñòîðè÷åñêîé áèáëèîòåêå Ðîññèè (ã. Ìîñêâà, Ñòàðîñàäñêèé ïåð., 9, ñòð. 1) â 17-00 ñîñòîèòñÿ êðóãëûé ñòîë ïî òåìå «Ãåíåàëîãèÿ â ñîâðåìåííîé Ðîññèè».
 ìåðîïðèÿòèè ïðèìóò ó÷àñòèå: ÷ëåí Ïîïå÷èòåëüñêîãî ñîâåòà ÑÂÐÒ, äèðåêòîð ÃÏÈÁ Ðîññèè êàíäèäàò ïåäàãîãè÷åñêèõ íàóê Ìèõàèë Äìèòðèåâè÷ Àôàíàñüåâ, ÷ëåí Ïîïå÷èòåëüñêîãî ñîâåòà ÑÂÐÒ, ïðåäñåäàòåëü Èñòîðèêî-ðîäîñëîâíîãî îáùåñòâà â Ìîñêâå, ïðåçèäåíò Ðîññèéñêîé ãåíåàëîãè÷åñêîé ôåäåðàöèè, êàíäèäàò èñòîðè÷åñêèõ íàóê Ñòàíèñëàâ Âëàäèìèðîâè÷ Äóìèí.
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10.03.2026
Ñîñòîèòñÿ î÷åðåäíàÿ âñòðå÷à â ðàìêàõ ïðîñâåòèòåëüñêîãî ïðîåêòà ÑÂÐÒ «Èç æèçíè íàøèõ ïðåäêîâ». Âñòðå÷à ïðîéä¸ò â î÷íîì ôîðìàòå â ïîìåùåíèè áèáëèîòåêè ¹146 ïî àäðåñó: Ìîñêâà, óë. Ãåíåðàëà Áåëîâà, ä.29, ê.3 (ì. Äîìîäåäîâñêàÿ), â 19:00.
Òåìà âñòðå÷è: «Ìîÿ ìàìà Ìîðîõîâåö è å¸ ïðåäêè Øåìåòîâû è Ïîòàïüåâû».
ÌÎÐÎÕÎÂÅÖ ÌÈÕÀÈË ÀÍÄÐÅÅÂÈ× – ó÷àñòíèê ÑÂÐÒ, êàíäèäàò òåõíè÷åñêèõ íàóê, äâàäöàòü ëåò ïîñâÿòèë èçó÷åíèþ ñåìåéíîé ðîäîñëîâíîé. Äîêëàä÷èê ðàññêàæåò, êàê åãî ìàìà ïðîáóäèëà â íåì èíòåðåñ ê ãåíåàëîãèè è êàê îí äîïîëíèë å¸ ðàññêàçû ñîáñòâåííûìè àðõèâíûìè èññëåäîâàíèÿìè è èíôîðìàöèåé, ïîëó÷åííîé îò ïîòîìêîâ å¸ çíàìåíèòûõ äâîþðîäíûõ áðàòüåâ Íåêðàñîâûõ è Íàãàòêèíûõ.
Âûñòóïëåíèå áóäåò ñîïðîâîæäàòüñÿ ïðåçåíòàöèåé.
Ïðèãëàøàþòñÿ âñå æåëàþùèå, ïðîñüáà íå îïàçäûâàòü.
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08.03.2026
Óâàæàåìûå êîëëåãè, ìèëûå æåíùèíû!
Ïîçäðàâëÿåì âàñ ñ Ìåæäóíàðîäíûì æåíñêèì äíåì 8 Ìàðòà!
Æåëàåì âàì âåñåííåãî òåïëà, îòëè÷íîãî íàñòðîåíèÿ, áîäðîñòè äóõà, íåçàáûâàåìûõ ìîìåíòîâ.
Ïóñêàé âàøè ìå÷òû ñáûâàþòñÿ, â ñåðäöå âñåãäà áóäåò ðàäîñòü è ëþáîâü, à èñêðÿùàÿñÿ óëûáêà âàñ íå ïîêèäàåò!
Ìóæñêîé êîëëåêòèâ ÑÂÐÒ
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05.03.2026
Cîñòîÿëàñü òîðæåñòâåííàÿ öåðåìîíèÿ âðó÷åíèÿ íàãðóäíûõ çíàêîâ â ÷åñòü þáèëåÿ îñíîâàíèÿ ãîðîäà Ïåòðîïàâëîâñêà-Êàì÷àòñêîãî.
Çà âêëàä â ðàçâèòèå ãîðîäñêîãî îêðóãà ïðåäñòàâèòåëü ÑÂÐÒ íà Äàëüíåì Âîñòîêå, ÷ëåí Ñîþçà ïèñàòåëåé è Ñîþçà êèíåìàòîãðàôèñòîâ Ðîññèè, ÷ëåí Ðóññêîãî ãåîãðàôè÷åñêîãî îáùåñòâà, êðàåâåä Ñåðãåé Èâàíîâè÷ Âàõðèí (ã. Ïåòðîïàâëîâñê-Êàì÷àòñêèé) íàãðàæäåí íàãðóäíûì çíàêîì «285 ëåò Ïåòðîïàâëîâñêó-Êàì÷àòñêîìó».
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04.03.2026
Ïîëíîñòüþ îáíîâëåíû ôóíêöèîíàëüíûå âîçìîæíîñòè áàçû äàííûõ ïðîåêòà ÑÂÐÒ «Ïåðâàÿ ìèðîâàÿ âîéíà, 1914-1918 ãã.».
Ðåîðãàíèçàöèþ ñèñòåìû ïîèñêà îñóùåñòâèë ÷ëåí ÑÂÐÒ Îëåã Âàëåðüåâè÷ Áèáèêîâ.
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03.03.2026
 Ìîñêâå ó ÷àñîâíè â ÷åñòü èêîíû Áîæèåé Ìàòåðè «Çíàìåíèå» è ñâÿòîãî áëàãîâåðíîãî êíÿçÿ Àëåêñàíäðà Íåâñêîãî – ïàìÿòíèêå ãðåíàäåðàì, ïàâøèì ïîä Ïëåâíîé, ñîñòîÿëîñü òîðæåñòâåííîå ïîìèíîâåíèå âîèíîâ, îòäàâøèõ ñâîþ æèçíü â Ðóññêî-òóðåöêîé âîéíå 1877-1878 ãîäîâ.
Íà ìåðîïðèÿòèè, ïîñâÿùåííîì 148-é ãîäîâùèíå ïîáåäû íàä Îñìàíñêîé èìïåðèåé, ïîáûâàëà ïðåäñòàâèòåëü ÑÂÐÒ ïî âíåøíèì ñâÿçÿì Èðèíà Âÿ÷åñëàâîâíà Êåïàíîâà (ã. Ìîñêâà). Îíà ðàññêàçàëà î ðîäñòâåííèêå – ó÷àñòíèêå Ðóññêî-òóðåöêîé âîéíû.
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01.03.2026
 Ãîñóäàðñòâåííîé îáëàñòíîé äåòñêîé áèáëèîòåêå èìåíè Ò. À. Ìàâðèíîé (ã. Íèæíèé Íîâãîðîä, óë. Çâåçäèíêà, ä. 5) ïðè ïîääåðæêå Íèæåãîðîäñêîãî îòäåëåíèÿ Ñîþçà Âîçðîæäåíèÿ Ðîäîñëîâíûõ Òðàäèöèé ñîñòîÿëèñü î÷åðåäíûå ãåíåàëîãè÷åñêèå ïîñèäåëêè â ðàìêàõ ïðîñâåòèòåëüñêîãî ïðîåêòà «Â ïîèñêàõ êîðíåé».
 ïðîãðàììå:
- ÷ëåí Ñîþçà æóðíàëèñòîâ Ðîññèè, äåéñòâèòåëüíûé ÷ëåí îáùåñòâà «Íèæåãîðîäñêèé êðàåâåä» Ñòàíèñëàâ Àëåêñàíäðîâè÷ Ñìèðíîâ âûñòóïèë ñ äîêëàäîì "Íîâûå ïðîåêòû Íèæåãîðîäñêîãî îáùåñòâà êðàåâåäîâ «Îò÷èíà»" è ïðåäñòàâèë êíèãó «Âîçâðàù¸ííûå èìåíà. Áîëüøîé íèæåãîðîäñêèé íåêðîïîëü».
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28.02.2026
 áèáëèîòåêå ¹ 131 ðàéîíà Ìàðüèíî (ã. Ìîñêâà, óë. Áðàòèñëàâñêàÿ, ä. 26) íà çàñåäàíèè Ëèòåðàòóðíî-òâîð÷åñêîãî îáúåäèíåíèÿ «Ìàðüèíñêàÿ ìóçà» ïðîøåë òâîð÷åñêèé âå÷åð ïðåäñòàâèòåëÿ ÑÂÐÒ ïî âíåøíèì ñâÿçÿì Èðèíû Âÿ÷åñëàâîâíû Êåïàíîâîé (ã. Ìîñêâà).
Èðèíà Âÿ÷åñëàâîâíà ïåðåäàëà â áèáëèîòåêó êíèãó «Ìû èì îáÿçàíû æèçíüþ», âûïóùåííóþ ÑÂÐÒ, â êîòîðîé îïóáëèêîâàíî øåñòü ñòàòåé î å¸ ðîäñòâåííèêàõ – ó÷àñòíèêàõ Âåëèêîé Îòå÷åñòâåííîé âîéíû.
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ÏÎÑËÅÄÍÈÅ ÏÎÑÒÓÏËÅÍÈß
 ÁÈÁËÈÎÒÅÊÓ ÑÂÐÒ
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ÃÅÍÅÀËÎÃÈ×ÅÑÊÈÅ
ÍÎÂÎÑÒÈ
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The elimination of sharp angles gives the typeface an approachable, warm, and non-intimidating personality.
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When it comes to modern Arabic typography, finding a balance between traditional calligraphic roots and contemporary digital aesthetics can be a challenge. The font family has emerged as a top-tier solution for designers looking for a friendly, professional, and highly legible typeface. The elimination of sharp angles gives the typeface
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Brands wanting to present themselves as innovative, customer-centric, and modern utilize rounded fonts to appear more accessible. It works beautifully for tech startups, food and beverage packaging, and lifestyle marketing campaigns. 4. Social Media Graphics
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