Unusual Award N.13- Extreme Gluteal Proportions In African Access

Within the societies where steatopygia is prevalent, the trait has historically been viewed as a mark of beauty, health, and social desirability—not as something unusual or pathological.

After her death, French naturalist Georges Cuvier dissected her body, preserved her brains and genitals in jars, and made a plaster cast of her torso.

Highly common in women globally due to estrogen production, preparing the body for childbirth. Regional adaptations passed down through generations. Unusual Award N.13- Extreme Gluteal Proportions In African

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Historical Exploitation (1800s) —> Exoticized, paraded, and stripped of agency. Modern Digital Space (Pre-Satire) —> Invasive comments, fetishization, and ignorance. The "Award N.13" Phenomenon (Today) —> Reclaimed power via satire, sarcasm, and digital boundaries. The Cultural Shift: Reclaiming the Narrative Within the societies where steatopygia is prevalent, the

The Baartman case has been described as the “epitome of racist colonial exploitation” and the “commodification of the dehumanization of black people.” One novelist has called her the “Rosetta stone of scientific racism.” Her remains were finally repatriated to South Africa in 2002 and laid to rest near her birthplace in Hankey, Eastern Cape.

The selection process for the Unusual Award N.13 involves a nomination phase, followed by a rigorous evaluation process. Nominees are identified through public suggestions, highlighting individuals who exhibit the specified trait to an extraordinary degree. A panel of experts, including anthropologists, medical professionals, and cultural scholars, then assesses these nominations based on predefined criteria. Regional adaptations passed down through generations

After Baartman’s death at age 26, her body was dissected by the French anatomist . Her skeleton, genitals, and a plaster cast of her body were placed on public display at the Musée de l’Homme in Paris, where they remained for nearly 200 years. A handwritten note on an exhibition flyer from 1811 illustrates the dehumanizing curiosity: “She had such big buttocks.”

This award can be seen as a step towards embracing and celebrating the diversity of human bodies, challenging conventional beauty standards that often favor homogeneity.