Sonically, Opacity II leans heavily into modern cinematic aesthetics. It captures the melancholic, beautiful, and sometimes haunting tonal qualities popularized by composers like Jónsi (Sigur Rós), Hammock, and Gustavo Santaolalla.
Opacity II utilizes Kontakt’s advanced time-stretching algorithms, but Audiomodern has mapped them to MIDI controls in a unique way. By mapping velocity to the "Stretch" parameter, a soft keystroke can play a cello loop at half speed (creating a low rumble), while a hard keystroke plays it at double speed (creating a frantic pulse).
Always ensure you own the FULL version of NI Kontakt 6 or 7 before purchasing. Audiomodern does not offer a refund for compatibility issues. Download the trial presets from their website to test the engine’s CPU load on your system. Audiomodern Opacity II -KONTAKT-
Loading a single preset instantly fills a room with tension, melancholy, or hope. It bypasses the tedious process of writing, recording, and processing raw guitar tracks.
This is the space occupies. Marketed as a 'boutique cinematic guitar' instrument for Native Instruments' KONTAKT platform, it promises to bridge the gap between a sample library and a live guitarist, presenting a collection of expertly curated, highly manipulable sounds designed to inspire and elevate your score. Sonically, Opacity II leans heavily into modern cinematic
The original Opacity focused on lush, evolving pads and cinematic sweeps. Opacity II takes that foundation and injects a dose of controlled unpredictability. It is built on the premise that static repetition is the enemy of emotion. Consequently, every patch in Opacity II is designed to evolve over time.
Opacity II is a virtual instrument built for the full version of KONTAKT or the free KONTAKT Player. It features a vast collection of professional guitar performances categorized by cinematic moods. Audiomodern collaborated with multi-instrumentalist Januz Jeファン to record a massive palette of unique guitar textures, looping phrases, rhythmic patterns, and ambient swells. By mapping velocity to the "Stretch" parameter, a
Each layer has independent control over effects, volume, and ADSR.
She turned the up to 70%. The ghost began to multiply. What was once a single piano became a choir of dying pianos, each one slightly detuned, each one lagging a millisecond behind the last. The Diffusion knob, set to 60%, smeared the edges. It wasn't a wash of sound anymore. It was a climate .