: People call me… Ella.
The script has been adapted to suit the needs of young performers in several ways:
Use stage risers for the ballroom scene so the Prince and Cinderella can dance in the center downstage while the ensemble watches from distinct levels upstage. 🎵 Musical Highlights in the Youth Version
Cinderella: (smiling) I'm... someone who will leave before midnight. cinderella youth edition script
Ella enters. No one recognizes her. Not because she’s “beautiful now,” but because she’s present —no phone, no pose, just dancing like a human.
: Your Majesty, I am Anastasia. I enjoy long walks and expensive things.
A heartfelt duet for the Prince and Cinderella. Why Choose the Youth Edition Script? : People call me… Ella
(The prince searches for Cinderella by trying the glass slipper on every girl's foot in the kingdom. When he reaches Cinderella's house, her stepsisters try to fit into the slipper, but it doesn't fit.)
This script is perfect for:
Invaluable resources for rehearsals, especially if your school or camp does not have a live pianist. someone who will leave before midnight
If you are planning to license this show, I can help you prepare. Would you like assistance with writing a , creating a prop master list , or drafting audition sides for the lead roles? Share public link
Fairy Godmother: (waving her wand) Bibbidi-Bobbidi-Boo! Let's get you ready for the ball!
The charming, searching royal. This role focuses on classical musical theater acting and clear vocal delivery.
(She sits. Slides the slipper on perfectly. Then pulls the matching one from her apron pocket.)
This comprehensive guide explores everything directors, educators, and young actors need to know about navigating the script, managing the runtime, casting characters, and bringing this fairy tale to life. 📁 Overview of the Youth Edition Script